The Perks of Being a Wallflower
I am uncomfortable. My stomach pangs in the way it does when
you’re forced to face the truth, either when you have to confess to stealing a
toy car or when you hold the girl you’ve been seeing for a couple months and for
the first time, her kisses taste bitter, and you realize they’ve always been
bitter. Watching “The Perks of Being a Wallflower” made me uncomfortable.
The movie stars Logan Lerman as Charlie Kelmeckis, a shy, lonely teenager about to start his freshman year of high school. He wants to start fresh and improve his standing, along the way finding friendship, first loves, and the glory that is the Rocky Horror Picture Show.
As an audience member to Charlie's story, I noticed he’s a character whose experiences are so particular,
yet completely understandable. It doesn’t take me having to stand up in the bed
of a truck or leaning against the wall at a school dance to understand every
single feeling he has. I relate to every twinge of regret, loneliness, bliss,
and innocence. That’s the gift of a great narrator: they take their shoes off
and somehow find the way to make your feet fit in them perfectly.
Whether I read the book or in this case, the movie, his
innocence always astounds me. He starts as someone who has seen so much a 9th
grader shouldn’t have seen, but yet carries the weight blindly. He knows
nothing about how to interpret the events in his life and how to fit them in
the puzzle of his own. As the movie progresses, he meets the stepbrother/sister
duo of Patrick and Sam (Ezra Miller and Emma Watson), who begin to help him fit the pieces in together,
beginning with the piece of Charlie himself. Charlie learns to become as much
an active part of his life as he is an observer or an intellectual. As much as
he plans and reflects on his experiences and reactions, through Patrick and
Sam’s inclusion into their friendship and the events that follow, he learns to
remain connected and become comfortable with living his life as it’s happening.
The movie doesn’t abandon the idea of reflection altogether, though, it seeks
balance, revealing a time and place for reflecting on one’s experiences but
also knowing that in order to reflect on life, life needs to happen.
Is it the most technically brilliant movie? No. Its
cinematography fits the mood well enough, but I wouldn’t call it wizardry
anytime soon. Does the narrative flow smoothly? The first half is jumpy; for
someone who’s read the book, this feels like a smattering of the most important
scenes without the extra information and day-to-day events that help smooth and
transition. Do I feel the movie can preach on with its speeches about life,
pain, and the grand meaning of it all? At times, yes. However, through its
comedy, tragedies, and stories about growing up, I am forced to face a truth.
Life is meant to be lived consciously aware of each moment. It’s not bad to
reflect on the choices we’ve made or on the people we love, but too much is too
much. I am uncomfortable, and I think that’s one of the best compliments I can
give a film.
"The Perks Of Being A Wallflower" trailer: http://www.youtube.com/watch?v=n5rh7O4IDc0
"The Perks Of Being A Wallflower" trailer: http://www.youtube.com/watch?v=n5rh7O4IDc0
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