Hunt for the Wilderpeople is what you would get if Up took place in the world of The Goonies. It's a blast of pure imagination, the kind that turns sticks into swords and frogs into dragons. The kind that takes a story about a grumpy woodsman and a chubby ne'er-do-well, and gives it a never-ending thirst for adventure.
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Little do they know that a manic CPS agent (Rachel House) is after them, and will not rest until she finds Ricky. You don't understand. I'm pretty sure this woman doesn't sleep nor eat. She single-handedly corrals every resource in the country to find this kid: flyers, TV stations, police, the ENTIRE ARMY. You thought Trunchbull from Matilda was bad? Think again.
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There's a bit of Mad Max, a bit of Tarantino, a bit of Monty Python and Blues Brothers all scrambled together. Draped in the foilage of the bush, the movie binds it all together in the boundless spirit of youth.
How does one stay original in film?
It's not in the plot. If influences are everywhere, everything is derivative.
The trick is to be authentic. When a director embraces a movie so hard that they infuse themselves in it, the thumbprint's on the reel. There are few movies I can feel like I'm watching something familiar for the first time.
Hunt for the Wilderpeople is one of those films.
Thank you all for reading. I'm the Man Without a Plan, signing off.
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